If you need some background or a reminder,
here's the gist.
On my run,
today, I was listening to Janet Evanovich’s One for the Money. She has this scene where she does an excellent job
portraying her main male character: he’s offered to watch the main female
character’s back and so is setting up hidden microphones in her apartment, as
well as one for under her clothes when she’s out investigating, so he can
listen in from a van (out of context this actually sounds incredibly creepy,
but I promise in the book it makes sense).
The male
character goes into detail about the batteries, how the thing works, how
expensive it is, etc. He ends the monologue with, “Don’t break it, lose it, or
take a shower with it.”
As a female
reader, and a female in general when men go into techno-talk, all I hear is: “Now
this fudlamadoo comes from Hezostan and the batteries are biddlinesick, they
work like poof. This thing costs a million-kazillion dollars. Don’t mess this
thing up or else…”
I hear the
money part. And then I hear the part where I’m not supposed to touch it. The
rest of it is in a completely different language.
Generally my
response is to nod my head and look awed, then say something along the lines of,
“Coool.” The male is satisfied with my response, and I’m satisfied that we can
move on to something I’m more interested in.
Now I can’t
be sure, but I think my response is pretty on par with the rest of the female
population out there. That’s why I loved Evanovich’s rendition.
It brought
to mind my struggle with this chapter. It was hard for me to come back and redo
because it’s the first chapter I really go into detail about my main male
character. In my head I have a pretty good idea of who he is, and how he would
react to things, but on paper? I just could not, could not, could not, get him
right.
One of my
best critiquers thus far hit the problem on the nose: “Why does he sound so
young?”
My answer back
then, “I don’t know? I can’t tell what I’m doing wrong.”
But now I’ve
figured out a huge key to writing male characters. Y’all are going to read this
and say, “No duh, Deb.” But I’m throwing it out there anyway, for any of you
writers who’ve not put two-and-two together with this yet.
Today’s
inspiration is a writing tip:
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| link to original here |
When writing
female characters, it’s totally okay to go into their heads. To explain what
they’re thinking, how they’re feeling, why they feel that way, etc.
When writing
male characters, it’s not at all okay to go into their heads. They definitely
have thoughts, emotions, and reasons why they feel those emotions, but they’re
not easily going to open up about it.
You have to
show, with men. If they’re upset about something happening, you don’t say, “When
Fredrick saw the dog pissing on his car, he was angry.” You say, “When Fredrick
saw the dog pissing on his car, he balled up his fists and pulled his boot back to
kick it across the street, but the dog saw him coming and skittered away.”
When you get
too much into your male character’s head, he sounds young and often-times
whiney.
This is not
always the case, and I’m not an expert writer (yet), but in my experience it
helps to stay out of a man’s head. When he pauses for a response you nod and
say, “Coool.” And then the story moves on.